SITE ARCHIVE

Colorado Boarder Shop Profile. Appeared October 1995.

From the time of their inception, the small towns of the Rockies and the lives of people who line in them have revolved around the mountains. The character of native Indians, miners, and modern pioneers alike have forever been influenced by the power of the rugged peaks and the purity of the piercing blue skies. Molded in the mountains’ image, the modern inhabitants of Crested Butte, Colorado are an inspired breed, rugged and enduring. They are a people accustomed to the hardships of mountain life, as well as the rewards.

These are also the people who etched snowboarding permanently into the history and lore of the land. I found them slopeside, at the Colorado Boarder. Kicking back in the shop, I noticed a customer fixated on a tacked-up photo. She turned to the guy behind the counter and, in reference to the image of a boarder dropping a sixty footer in Alaska, asked, “Is that you?” He answered, “No, that’s Chris. He’s the guy setting up your board.” She knew then, as she headed confidently out the door for her first snowboard lesson, that she had come to the right place.

Since 1986, pros and first-timers alike have felt that same feeling when they walk into the Colorado Boarder. Long before there was any money in snowboarding Jim and Seth shard two of the major components to a successful business—vision and enthusiasm. At the time they were selling snowboards from the rear corner of a second-hand clothing store. Lots of folks were selling boards back then, but what made and still makes the Boarder unique is the package of accessories that comes with every purchase: confidence, friendship, and soul.

Since that time the story of the Colorado Boarder has been one of steady progression. Staying on top in the ever-changing and fast-paced snowboard industry is demanding, especially in highly competitive Colorado. To meet the growing demands of the market, the Boarder moved in the fall of 1987 to its current location at the base of Crested Butte. Numerous alterations have been made to the shop over the years, but last season saw the greatest change with the opening of a separate rental and repair facility across the hall from retail.

The current shop includes a fine array of customer-friendly features: lockers, a basketball hoop, a TV/video set-up, all accented by a killer mural that Bart painted on the wall of the rental shop. Also unique are the shop’s snowboard school lesson packages that not only draw the first-timer into the Boarder, but also send them out with the proper equipment. As Crested Butte develops into a veritable snowboard power, the shop has become ever more involved in the resort’s activities—which is good. For example, the Colorado Boarder purchased all of the material for the mountain’s snowboard park this season and helped to design and maintain it (no easy task in a place that is plagued by incessant dumpings). The Boarder also sponsors the annual U.S. Extreme Snowboard Championships that are held at Crested Butte.

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Tell us about the market in Crested Butte and how it differs from, say Southern California?

The snowboard market in Crested Butte revolves around steep and hopefully deep, all-mountain riding. It’s following the skiing trend that has been here in Crested Butte; jumping off big rocks and cliffs and going fast. There is some skate style happening too and we totally support that as well. A lot of the jibbers here also respect the guys who can go huge, stick a landing and ride fast.

So with the speed and cliffs, and that style of riding going on, how does that effect your buying and the lines that you carry?

We do really well with technical clothing; burley stuff that holds together. We don’t sell much along the lines of waterproof jeans, but rather, more functional items. With hardgoods we sell a small amount of low soft boots compared to other areas, as opposed to higher, stiffer boots that are better for freeriding. As far as boards go, we sell a lot more big ones than small. A 145 just won’t get you by on a deep day in Crested Butte. Strangely enough, there’s still only two or three percent hard shells out there.

Do you have any special strategy for buying?

The trade show are like one big reunion for us. All of our friends whom we used to ride with and even some of our original team members are now reps or working somewhere in the industry. The guys who are running the companies now, if they’re snowboarders, they know what we’ve been through. When I write an order it’s with somebody we know and have known for years and we know what to expect. That’s something that you don’t find in other businesses.

Have you seen the styles of riding changing over the last several years?

Absolutely. It’s going to all-mountain freeriding. You’ll always have the skate style and then the group that won’t ride anything under a 170, but in general, things are going toward the middle. We see things moving to big and fast, not slow and spinny. It’s reverting to freeriding, riding everything, like in skiing. That’s why Crested Butte is going off, because the style all over is going back to freeriding, and there’s killer freeriding here.

Besides being slopeside here at the shop, how to you guys stay in tune with what’s happening in snowboarding?

We all ride. We ride with everybody at Crested Butte. It’s pretty easy to figure out what people want and what works or doesn’t work. More so than any other ski area, there is a durability factor here with clothing and boards, but more specifically with boards. If a brand gets the reputation of blowing up easily when it hits a rock that will ruin the rest of the sales on that board. We choose reputable lines, and if they hold up well, they’re an easy sale. Aside from all of us being out there and riding we work closely with local riders. We also get some insight by supporting the Academy (which is the local high school’s snowboard team), a pro team and the Western State College Snowboard Club.

How is it that your service and repair have become so famous?

Experimenting. Chris Cox and I started repairing boards in 1986 and we just tried different things (as using pieces of hockey sticks to rebuild cores)—after doing that for eight years it’s pretty easy to look at something and figure out how to go about fixing it. What really helped us was in the beginning was that my partner Jim has cement mixers and bulldozers, and he builds log homes and he has always built stuff. Jim contributed the most by being able to look at something, know what it was made of, and know how to fix it. His input has always helped the rest of us in the rebuilding of edges, grinding, epoxying, and even in remodeling the shop.

We also bought a Wintersteiger machine four years ago. We were one of the first snowboard shops around to have one, which goes back to Crested Butte being a technical mountain—people care whether they have sharp edges or not

What do you think customers feel when they come into your shop for the first time?

I think some of them are shocked because we’re super easy to get along with. We are definitely rough around the edges, but it makes everybody comfortable. We try to be professional to an extent, but we try to have fun too. It’s not easy to be in a shop all day. I think that they sense that we’re just snowboarders too.

What is the Colorado Boarder doing as a shop to keep up with the market demands for the near future—plans for the shop?

We’re going to need more space, as our lines increase. This season we carried 22 board lines and next year we have 26, so more space for sure. We are also opening a store in the Gunnison that will be open year around. We’ll do some back-to-school snowboard sales, summer clothes and shoes. I feel like its kind of a cop out to be open seasonally, because I think that there are a lot of people, especially with the snow we have, that do backcountry and need equipment after April.

What are three things that make Colorado Boarders unique?

1. Bart’s mural in repair.

2. We’re in charge, we’re not employees.

3. We all ride and we know where everybody’s coming from.

Kurt Hoy is a pro rider for Apocalypse Snowboards, and often rides in Crested Butte, where he lived from 1987–91.

biz_editor

K2’s Second Quarter Sales Up 192 Percent. Appeared October 1995.

Anthony Industries, K2’s parent company, announced June 30, that second quarter net income was up 27 percent over last year to 6.4-million-dollars.

Though the company experienced across-the-board increases, some of this good fortune was directly attributed to K2 Snowboards’ record sales. According to B.I. Forester, chairman and chief executive officer of the company, sales of K2 boards were up 192 percent over last year.

“It wasn’t a surprise,” says Brent Turner, K2’s snowboard product manager. “I figured we’d have a pretty good quarter. I think other people are having exciting quarters, but no one knows because they don’t have to tell anybody. I know Ride had a good quarter and I’m sure Burton did, too.”

Turner says the growth has to do with three basic areas. “Part of that is due to the Clicker binding system that we’ve got,” he says. “There was no business there and now there’s a bunch. But there are other factors as well. We have more boards in the line, and the market is growing.”

But with a 192 percent increase, K2 is growing faster than the market. “I think that has to do our product, plus I think retailers have chosen to consolidate their brands they buy, and I think that’s helped some of the stronger brands in the stores.”

The increased business caused the board of directors to declare a regular cash dividend of eleven cents per share payable October 3, 1995 to shareholders of record at the close of business Sept. 6, 1995.

Aside from K2 Snowboards and skis, Anthony also makes Olin Alpine skis, Stearns active water-sports equipment, Shakespeare fishing rods, ProFlex mountain bikes, and Anthony swimming pools. We’re talking serious diversification.

—Lee Crane

biz_editor

Media Scape — Snowboarding On The Tube. Appeared October 1995.

The snowboarding industry and television have had an unfulfilled relationship over the years. While the great hope of TV is introducing more people to snowboarding, many industry players worry that the current form of snowboarding on television—contests—will kill its soul. This fear looms even larger with the approaching 1998 Winter Olympic Games in Nagano, Japan.

No one knows this dichotomy more than the guy who helped put snowboarding on TV in the first place. Alan Gibby, owner of DynoComm Sports—a video-production company in San Clemente, California, has been through the television maze and understands what TV can do for action sports. With the 1988 Op Pro at June Mountain, Gibby secured the first major coverage of snowboarding to appear on national television. Since then his company has produced nearly every snowboard show to air on ESPN or Prime Network.

Gibby believes that the Op Pro, The U.S. Open, and other contest shows have helped snowboarding more than anyone realizes. “Think about it. When we first did June Mountain, about four percent of the resorts allowed snowboarding,” Gibby says. “How many of them are allowing it now? Without television I don’t think many of those resorts would have thought that snowboarding was a market that they needed to reach. People say that we can’t take the credit for getting resorts open to snowboarding, but I think we can take part of it.”

TV can also take credit for expanding snowboarding’s image, according to Gibby. “I think television gives a different view of the sport than the magazines and videos do.”

That different view is snowboarding as an organized, controlled professional sport. And it is the pursuit of that image that causes problems for some in the industry, mostly because contests just don’t make snowboarding look all that great. “The halfpipe looks really weak on TV,” says Ken Greengard, president of Joyride Snowboards. “It just doesn’t make the riders look as technically proficient as they are. It looks kind of cheesy when the guy doesn’t even come above the deck and these are good riders. That’s one thing TV needs to get over.”

Although Greengard admits the TV coverage helps sales, he’s ambivalent about the end result. “I think if Johnny Q. Public is exposed to snowboarding for the first time, it helps the industry. It’s similar in theory, unfortunately, to in-line skating,” Greengard says. “I don’t think it does service to the soul of the sport, but it does for the sales of some companies. I don’t know how it fits into Joyride’s marketing scheme, but I guess it could help us, too.”

Dennis Jenson, Burton’s vice president/director of marketing, is more positive about the end results. “Television can help create that larger-than-life image,” he says. “The mastery of television is making things so much larger than they really are. So, yeah I think the industry needs television, but I don’t think the industry can afford it.”

On the street however, according to some shop owners, snowboarders don’t seem to talk about what’s on TV much. “The only thing we seem to hear about is that they’re showing stuff that people have already heard about, seen in videos or in the magazines,” says Rob West, general manager of Gravity Snowboard Shop in Virginia Beach, Virginia. “I think there would be a good deal more interest if it was live coverage. But ESPN would probably never do that.”

In reaction to contests’ overly regimented view of snowboarding on TV, Snowboader magazine started Snowboarder TV. Doug Pallidini, producer of the program, wanted to show people what real snowboarding was. “Ninety-nine percent of the snowboarders out there are into freeriding, and with the contest shows you get none of that,” Pallidini says. “Snowboarding is about participation, and like it or not, contests are about standing around and watching other people ride.”

Gibby realizes the downside of the TV he produces. “Contest shows will never do snowboarding justice,” Gibby says. “But it’s either that kind of programming or no programming. And that’s not all bad. In my opinion, contests bring condensed quality. Even though it seems all commercialized, it still brings a bunch of talent to one place, at one time, so you can see things that you’d never see in another kind of show.”

Currently, viewers don’t seem to notice any real difference between the two styles of shows. Last season ESPN aired fourteen half-hour contest shows from the American Professional Snowboard Series, and eight airings of Snowboarder TV. According to Josh Krulewitz, senior publicist at ESPN, the shows got nearly the same audience, averaging between 95,000 and 191,226 homes, which means roughly 236,000 to 400,000 people. Even the season’s lowest-rated contest show, the Snow Summit Halfpipe Contest, which aired at 2:30 a.m. PST in February, still had an approximate viewership of 147,000, or about equal to the number of snowboard magazine subscribers in North America. “When you figure that ESPN is going into about 65-million homes, magazine distribution pales in comparison,” Pallidini says. “Plus, with TV you reach a lot of sports enthusiasts who have yet to plop down $3.95 for a snowboard magazine.”

What the ratings numbers also seem to say is that people will watch snowboarding on TV no matter how good or bad they say it is after the fact. That’s why Dennis Jenson sees their TV advertising as being more for the industry than for Burton. “At this point when Burton or Airwalk advertises on MTV or ESPN, it’s doing more for the industry than for the individual companies,” he says. “If you ask people if they saw snowboarding on TV last night, they usually don’t know if it was a Burton ad, but they know it was snowboarding and they know they liked it.”

However, to the snowboarding public who knows what they are watching, the coverage is “old school.”Eric Lefebre of Black Dog Snowboards in Logan, Utah says, “Overall, everyone feels okay about the coverage. The one thing they’re saying is that they’d like to see more freeriding.”

Wouldn’t we all like to see more freeriding? Contests will always be a part of snowboarding coverage because they fit in with the formula of marketing sports, but in the future as snowboarding becomes more accepted in the general population, maybe we will see broader coverage of the sport.

Lee Crane has been a commentator on more than 20 snowboarding TV shows.

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