SITE ARCHIVE

Don’t Call It A Comeback: Miami company resurrects once-popular brand.

Trends Clothing Corporation purchased the Jimmy’Z brand in June of this year after market research indicated a lot of consumers remembered the surf clothing company and missed it. Trends is a ten-year-old licensing company and makers of Op, B.U.M. Equipment, and Ecko Unlimited.

In the late 80s Jimmy’Z was one of the most recognizable names in the surf industry before its popularity quickly faded and the company ceased operation. When Founder Jim Ganzer sold Jimmy’Z seven years ago, the brand was sold to a number of companies that essentially kept it off the market.

“A lot of good memories just went away. We’re going to capture what a lot of people remember,” says Jay Friedman, Jimmy’Z new vice president

Trends relaunched the Jimmy’Z brand at the August MAGIC show. After debuting with girls’, juniors’, children’s, boys’, and young men’s lines, the company plans to look for an outside license to handle accessories including bags, belts, and eyewear.

Friedman says they want to see the complete collection in specialty chains and department stores: “The brand is going to be visible at an array of distribution levels across the U.S.”

Trends is a “healthy” organization that’s taking baby steps for what is a very extensive expenditure in reviving the brand. “I really feel we’ll get a lot of instant activity and immediate success,” says Friedman.

He also adds the company plans to aggresively go after sponsorships in all “extreme types of activities”–the grassroots-oriented program will of course include surfing. And the old classic Woody that was the inspiration for the company logo will be at promotions from coast to coast.

Oh, and by the way, Friedman also says they’re bringing back the velcro boardshorts–only the styles will reflect current trends.

biz_editor

Motor City Mowman

Dean Williams is probably the only shaper in the Motor City. Under the label Up North Great Lakes Surfboards, Williams produces boards in Warren, Michigan a suburb of Detroit.

In a region where most people think there are little, if no waves, Williams is seeing his surfboard production increase each year. Four years ago he produced twelve boards, doubled the next year to 24, then grew to 40, and approximately 50 last year.

He’s also seeing a higher number of surfers hitting the water at the more popular spots. Where there were eight to ten surfers at one break, now it’s become a “crowded” 25 to 30. Williams estimates there are around 200 to 300 surfers on the Michigan side of the lakes and 200 to 300 in states such as Indiana, Illinois, and Wisconsin.

There’s a history to surfing in the area that goes back to the 50s when a navy doctor returning to Grand Haven, Michigan from Hawai’i planted a surfing seed with the boards he had brought back. That seed eventually became the Great Lakes Surfing Association.

Williams was taught to surf by a draft dodger who surfed along the Canadian shores of the Great Lakes during the Vietnam war, riding the consistent freighter wakes of Lake St. Clair (a 400-square-mile body of water situated between Lake Erie and Lake Huron, east of Detroit, Michigan).

Once he got serious about surfing, Williams’ journeys took him through various surfboard factories in Hawai’i, California, and Florida. He eventually came back to Michigan for family reasons and stayed.

Believe it or not, the Great Lakes’ waves get good, says Williams. Spring and fall are the best times of the year, with fall getting five to seven days per week of surfable waves compared to one or two in the summer.

The surfers of the area depend on storm fronts, wind patterns, and wind directions to guess what the waves will do next. The water can go from the high 60s in the summer to frozen solid. “Because we’re desperate, we surf it until it freezes,” says Williams.

Like other areas, boards are shaped according to the local conditions. The fresh water of the lakes takes about twenty percent of the buoyancy away. The waves are usually sloshy windchop, so the boards need a lot of volume.

Williams started making longboards, then three years later–Giant Fish–7′8″ fun boards with full noses and more maneuverability. He’s also started to make 6′0″ twin-fin fish that are so wide he barely skims the blank. “They don’t look like your Kelly Slater ‘cool guy’ board,” says Williams.

Of course, most Great Lakes surfers aren’t kidding themselves when it comes to surfing like Kelly Slater. They just want get in the water and enjoy the ride, and that’s what Williams is going to help them with.

biz_editor

Here Comes Oxbow

After setting up operations in San Diego approximately one-and-a-half years ago, Oxbow USA recently signed a multi-year deal for the license and distribution of sportswear, apparel, and accessories from its parent company in France. “We’re excited to finally launch Oxbow in America the right way,” says Ivan Linde, Oxbow USA president.

Although many consumers have only a vague idea of what Oxbow is, in Europe it is a leading brand with sales in excess of 75-million dollars built around four sports relating to surf, snow, wind, and motocross/ “My entire company is 100-percent commited to supporting the Oxbow brand in the U.S.A.,” says Oxbow International CEO Phillipe de Vilmorin.

Prior to beginning his work with Oxbow, Linde gained 30 years of experience in various executive positions in the apparel industry including his most recent with Reebok. He wants to rely on this experience to start things off on the right foot. “We want to leverage the strong brand presence Oxbow has created in Europe,” he says.

In May, the first lines were delivered to specialty stores in California and Hawai’i. And starting in September, the fall lines go out to both the East and West Coasts. Linde is also excited about distribution in Puerto Rico.

It’s also looking to make a presence with the men’s and juniors’ lines at the upcoming trade shows. “After an in-depth market study we’re satisfied that our brand offers something fresh, new, different, and exciting,” says De Vilmorin.

Worldwide, the Oxbow team is an amalgamation of athletes representing the wide range of markets it sells to. The company also hosts international events that include the World Longboard Championship, the Windsurf World Cup, and International Boardercross events.

That doesn’t mean it will do the same here. Although Oxbow sponsors Australian WCT tour veteran Shane Powell in addition to various international surf veterans, it’s focusing on the domestic surf scene. In May, Oxbow USA sponsored the California State Junior High School Championships–a far cry from the huge international events and the making of a different U.S. presence.

biz_editor

Tom Curren Signs With The Realm

Hoping to gain more recognition around the world with its relatively new brand, The Realm announced the signing of three-time World Champion Tom Curren. One of the most famous surfers ever, Curren’s job with the team is simple–”To put a sticker on his board and go surfing,” says Realm Marketing Director and Part-Owner Mike Parsons.

According to Parsons, Curren signed despite receiving offers from top-industry brands for more money. The deal was done on the hood of Parsons Chevy truck.

Curren has strong relationships with people at The Realm, and once surfed on the pro tour with Parsons.

“We knew we weren’t going to win a bidding war with the majors,” says Parsons. “Tom joined our family for the spirit of what we represent.”

Parsons says Curren’s world tour re-qualifying efforts will definitely help the company when he’s surfing in places like Australia, Europe, and Japan. Parsons believes Curren will get back on tour and emulate the success of Mark Occhilupo, but adds, “We don’t care either way as long as he’s surfing–he’s a draw regardless.”

While on a recent East Coast tour for the company, Parsons noticed Searching For Tom Curren was playing everywhere. So one of the first steps will be to get a video out featuring Curren as well as other team riders.

The company is keeping its professional team small and elite with Pat O’Connell, Donovan Frankenreiter, Adam Repogle, and Curren.

Another area The Realm is looking at is amateur surfing. “We’re established on the top end, now we want to build kids through the amateur stuff,” says Parsons. “Anything to do with surfing, we want to be involved.”

biz_editor

Great Lakes Report

At Chapter Eleven Sports in Spring Lake, Michigan, Owner Ned Silverman differentiates his store by looking for small clothing companies. There’s a large chain store nearby that carries all the major lines he avoids. “They have to follow a trend where we don’t,” says Silverman.

He says his shop started in the surf business with surfboards and not clothes–opposite from how most stores in the area have begun. Not only was it important to the shop, but it was important to the surf community. “If we weren’t here, they the community wouldn’t know surf legitimacy,” says Silverman

Half of his ordering is done in-store where he’ll listen to “whoever any rep can make me laugh.” The other half of his ordering is done at shows such as MAGIC and Surf Expo trips that he makes into family vacations.

At Windward Sports in Chicago, Illinois, Manager Lisa Gibson says they’re not really looking to add any lines because the shop already carrys major brands such as Billabong, Quiksilver, O’Neill, Hawaiian Island Creations, Rip Curl, Redsand, and MCD. Windward does a lot of business in categories such as women’s bathing suits and 98 percent of line orders happen at the ASR and Surf Expo shows. On the other hand, being in Chicago they don’t sell very many boards and wetsuits, so they do the ordering for those in-store.

Matt Mulligan, manager of Brick Wheels in Traverse City, Michigan, says the shop would like to bring Volcom in to join its current lines of Rusty, Counter Culture, and Split. ASR is a big show for the store, but the managers also attend Surf Expo and the Michigan Retailer Association shows, which throw surf and ski together. Although he checks out these shows, Mulligan feels that about 60 percent of his ordering is done in-store.

At Southport Rigging in Kenosha, Wisconsin, Manager Patrick Hintz says he’s not looking for any new brands and has even consolidated from last year. The shop wanted to add a couple more popular brands to the current lines of Quiksilver, Rusty, Redsand, and Volcom, however, the order requirements were more than they wanted to spend. Southport Rigging does about half the clothing ordering in-store and most of the other half at Surf Expo. Board orders at the shop are customs, due to the more consistent surf breaks being on the other side of Lake Michigan.

Owner J.V. Peacock of Outpost in Mishawaka, Indiana is considering bringing in Volcom and Hurley in addition to the current lines of Quiksilver, Rusty, and Mossimo. Although the Outpost is 45 minutes from Lake Michigan surfing, there are three other retailers near the store.

Peacock says half his ordering is done in-store while the other half is done at various trade shows including Surf Expo.

biz_editor

Saving The Environment And His Company

After creating and nearly losing what was his brainchild, Joe De Gennaro has taken big chances to get Terra Wax back in his possession. He’s endured fickle investors, court battles, and poor distribution through another company–now he wants to get the word out about the company’s new direction.

In 1995 De Gennaro wanted to create a nontoxic, biodegradable wax with natural ingredients, but had no idea where to begin. Experimenting from scratch, he trashed every pot, pan, and carpet in his house for a year.

Using chemicals would’ve been too easy and not environmentally sound, so after 400 tries he finally created his recipe using stuff that’s never before been used in wax. According to De Gennaro, his surf-wax creation isn’t even a quarter wax and that’s why it doesn’t blend well with other waxes–it can only be used by itself or with a base coat. Believe it or not, over half is made with natural minerals found in the ground.

His environmental fervor doesn’t stop with the wax. The paper around the wax is made from treeless-plant-based papers and the wax combs use recycled plastics that break down in 100 years without releasing toxins.

When he finally showed the wax to shops, he began getting orders for truckloads even though he was still making it in his kitchen. As the wax’s popularity grew, so did his inability to make the product to meet demand. De Gennaro needed venture capital to finance the growing company.

He found an initial investor who wanted to pinch money by using regular paper despite the recycled label on the wrapper. The same investor then also tried to take the company through the courts using claims of trademark infringement. According to De Gennaro, although he had proof Terra Wax was his idea years ago, it didn’t matter in court–the side with the most cash wins and the investor had a lot of money into it.

De Gennaro had a good friend who was a lawyer. It was through this friend and a group of other lawyers that they were able to win the suit. However, in payment for their work, the law group also became owners. The group’s plan for the company was to make a quick profit and sell it for tax reasons–which they almost did for dirt cheap.

But De Gennaro had loyal friends, two of whom helped him buy out the investors and get his company back to him.

Meanwhile, Terra Wax has suffered as a result. While the court and investor problems went on, the wax disappeared everywhere except in San Diego and Japan–a result of poor domestic distribution by a third party he’d made a sole agreement with.

Finally all this is behind him. De Gennaro says he’s back and has already sold a quarter-of-a-million bars in the first five months of this year. “It’s a good wax people still want,” he says. “People are stoked on an environmental product that works and is affordable.”

De Gennaro practices what he preaches in every aspect of his business and his life–he doesn’t even own a car. “I’ll keep it green ’til the day I die and hope that by being a good example, others will do the same.”

biz_editor

Spy Gets Funkier: New van is straight out of the 70s.

If you’ve ever been to a trade show, you’ve probably noticed a massive, bright-orange semi truck doubling as a booth for Spy Optics. The newest addition to Spy’s motor force is just as loud. A funky, 23-foot, 1974 custom-built van called the Retail Commando Unit has been converted into a traveling promotional vehicle.

The van has a groovy, five-color, orange fade and mag wheels straight out of the 70s. Inside is the requisite shag carpeting, surround- sound, eight-track tape deck, and custom vinyl couches. Like the semi, the van also carries displays of Spy sunglasses, goggles, and accessories.

The Commando Unit will make appearances at mountain bike, surf, motocross, and snow events. It will also tow a 1969 Gulf Airstream trailer that was converted into a traveling Spy showroom for retail clinic tours, promotional events, and general exposure–which along with the semi shouldn’t be a problem.

–Aaron Checkwood

biz_editor

Inside The Rubber Empire: A Rare Look At O’Neill’s Operations.

With 175-million dollars in annual sales, O’Neill could be the second-largest surf brand in the world, according to Marketing Manager Mark Tinkess. Surprised? Don’t be. It’s all part of the company’s low-key strategy.

“When Jack O’Neill discovered the neoprene foam carpeting the aisle of a DC-3 passenger plane, he knew he was in business. Literally,” says Tinkus. But it’s likely even he didn’t know the height his business would reach.

The story of Jack O’Neill and his development of the modern wetsuit is legendary in the surf industry. But behind that lies an even more incredible tale of a modern, worldwide business that consists of a headquarters office and three retail stores in Santa Cruz; factories in San Francisco, Mexico, and Asia; a growing Southern California-based sportswear licensee; and a group of global distributors spreading products to more than 60 different countries. Put all these together and the total pie is a lot bigger than the individual pieces.

In fact, the company estimates that it controls 50 to 55 percent of the wetsuit market in the United States. Transworld SURF Business’ own retailer survey conducted earlier this summer (see related article in this issue) reported that 42 percent of specialty surf shops rank O’Neill as their best-selling wetsuit, placing it far ahead of all other rubber companies.

With this in mind (plus the fact that we were invited), the TransWorld SURF Business editors visited O’Neill’s headquarters and main shop in Santa Cruz, then headed up to San Francisco for an exclusive tour through its factory early this summer. Here’s a look at what’s going on inside the rubber empire.

**** Single Focus ****

Maybe it’s the fact that the company is hundreds of miles away from the perceived epicenter of the surf industry (Southern California), or maybe it’s just the cold water O’Neill emplyees have to surf in almost year round, but one thing is for sure: O’Neill is focused on building wetsuits.

Sitting comfortably in his office in Santa Cruz, longtime O’Neill veteran and current Marketing Director Mark Tinkess talks about the company’s wetsuit development process.

“Things start with developing the designs here in Santa Cruz,” he says. “We have focus groups, then work on sourcing, go to Japan and check out new fabrics, see what’s available from China, then come back to put something together. Then we go down the coast and let shops try the samples — like we did with the Zen tour — to gather more info. Finally, we hand off the designs in November to the production and sales guys.”

In summary, he explains what makes O’Neill so strong in its business: “We control the process from beginning to end and all we think about is wetsuits. And the suits fit insane.”

**** Sew Much At Work ****

Indeed, O’Neill does control the manufacturing process from beginning to end. It owns its own wetsuit factory in San Francisco and has been in the same location since 1991.

Located on the southeast side of the city, approximately 100 people work in the nondescript building producing approximately 35 percent of the company’s total wetsuit output. Another 35 percent comes from a factory in Ensenada, Mexico (where more than 200 people work), and the remainder comes from facilities in Taiwan and Hong Kong.

Operations, planning, sales, and forecasting take place in the San Francisco operation, but the several designers who come up with the initial ideas work out of the Santa Cruz office.

As expected, the facility was busy finishing the fall products and the warehouse was packed with product ready to ship to retailers when we visited.

According to Cherry Chu, O’Neill’s vice president of manufacturing and operations and our tour guide, the company develops 185 different styles per season, including fullsuits, short johns, spring suits, and jackets. There are also wetsuit designs for diving, waterskiing, wakeboarding, triathlons, some private-label business, and even Coast Guard-approved lifevests.

Although the garment industry has a reputation of being old fashioned, the O’Neill factory uses the latest technology as much as possible to make the production process more efficient.

After a pattern is created by the designers, it’s digitized and scanned into a computer. This helps O’Neill designers store and save all the designs they’ve come up with over the years. It also helps them take a specific style and then develop exact dimensions for the range of sizes.

After these sizes are made and samples sewn, fit is approved. Walking through the design department, there are racks full of different suits spanning decades worth of ideas — many sporting the neon colors the surf industry would rather forget.

Patterns are laid out across tables, and computers occupy desk tops. The mix of technology and hand-made processes is intriguing — if not contradictory at times.

After designs are approved, the patterns are taken downstairs to the cutting room. Neoprene is brought in from Taiwan and Japan and is cut according to the plans. But first, a computer figures out how to maximize the total fabric utilization. This computer shows the different designs laid out on the fabric and calculates usage percentages. Once the material is maximized, neoprene is cut out several sheets at a time.

These components are bundled together and taken back upstairs where the different pieces are sewn together. Rows of sewing machines line one floor, and the entire operation looks very similar to a traditional clothing factory. For graphic details, there’s even an in-house screen printing area that stays busy. Workers are paid on a piece-rate basis.

After the suits are sewn together, the work is checked for quality, they’re then trimmed, and hang tags are added. In fact, all the suits manufactured at the Mexican and overseas factories come through the San Francisco plant to get quality checked and have the hang tags added.

At this point, products are moved into the massive warehouse in back, where racks full of suits fill the room. Getting around the area is like negotiating a maze. You could literally get lost between all the suits.

The San Francisco facility is mostly a sew and glue operation. The company utilizes different factories to make other constructions. For instance, all the wetsuit hoods come from Mexico, while the vulcanized surf booties come from Thailand. Interestingly, the Mexican factory makes many of the same models as the U.S. facility does, but all O’Neill suits are labeled in the same place — inside the sleeve — with size and location of production.

**** Once Suits Are Produced ****

Production isn’t the only place where O’Neill is thinking globally. The company has recently refocused its strategic planning and launched a global marketing campaign, utilizing one brand logo, story, and a strong, centralized world team that includes the likes of Shane Beschen, Adam Replogal, Cory Lopez, Rat Boy, Pat O’Connell, Rochelle Ballard, Chris Gallager, and Wingnut. To support this move, it’s advertising heavily in surf, dive, wakeboard, bodyboard, snowboard, and windsurfing publications.

In the surf industry, O’Neill has divided its campaign and is running wetsuit ads in Surfing magazine, while focusing on apparel in Surfer. Although one series of ads is promoting rubber while the other is highlighting sportswear, the design of the ads is consistent. “Nobody even notices they’re for different products,” says Tinkess.

The apparel doesn’t actually come from the Santa Cruz office, although the image and presentation has to be okayed by headquarters. O’Neill licenses out its sportswear to the Irvine, California-based La Jolla, Inc., a company that’s run by former Op and Quiksilver executives John Warner and Jim Moran.

And the sportswear division is definitely on a roll. According to Sportswear Marketing Director Joey Santly, its sales went from nine- to 34-million dollars this year, with the juniors business growing at 800 percent.

“We do about 30 percent of our business with Pac Sun, and our juniors’ line is one of the best-selling in those stores this summer,” says Santly.

To further build the O’Neill image, the company will be premiering a team video at the fall trade shows and will ship it to shops around November 1. And to continue building on the global brand presence, the company is also hoping to sponsor an Association of Surfing Professionals World Championship Tour event in the coming year. And the O’Neill Cold Water Classic in Santa Cruz is locked into a three-year deal for the ASP World Qualifying Series, so that representation will continue.

“The company is thriving right now, and we have an opportunity to be strong, so we’re taking action,” says Tinkess. “When you break it down, we’re making good product, delivering it on-time, have good reps, a professional customer-service department, and we stand by our products.”

He says it almost so matter-of-factly that it makes total sense. But if it was so easy, other companies in the surf industry would be doing it as well. Yet it’s for these reasons that O’Neill is dominating the wetsuit industry and will continue to for years to come.

biz_editor

Inside The Rubber Empire: A Rare Look At O’Neill’s Operations.

With 175-million dollars in annual sales, O’Neill could be the second-largest surf brand in the world, according to Marketing Manager Mark Tinkess. Surprised? Don’t be. It’s all part of the company’s low-key strategy.

“When Jack O’Neill discovered the neoprene foam carpeting the aisle of a DC-3 passenger plane, he knew he was in business. Literally,” says Tinkus. But it’s likely even he didn’t know the height his business would reach.

The story of Jack O’Neill and his development of the modern wetsuit is legendary in the surf industry. But behind that lies an even more incredible tale of a modern, worldwide business that consists of a headquarters office and three retail stores in Santa Cruz; factories in San Francisco, Mexico, and Asia; a growing Southern California-based sportswear licensee; and a group of global distributors spreading products to more than 60 different countries. Put all these together and the total pie is a lot bigger than the individual pieces.

In fact, the company estimates that it controls 50 to 55 percent of the wetsuit market in the United States. Transworld SURF Business’ own retailer survey conducted earlier this summer (see related article in this issue) reported that 42 percent of specialty surf shops rank O’Neill as their best-selling wetsuit, placing it far ahead of all other rubber companies.

With this in mind (plus the fact that we were invited), the TransWorld SURF Business editors visited O’Neill’s headquarters and main shop in Santa Cruz, then headed up to San Francisco for an exclusive tour through its factory early this summer. Here’s a look at what’s going on inside the rubber empire.

**** Single Focus ****

Maybe it’s the fact that the company is hundreds of miles away from the perceived epicenter of the surf industry (Southern California), or maybe it’s just the cold water O’Neill emplyees have to surf in almost year round, but one thing is for sure: O’Neill is focused on building wetsuits.

Sitting comfortably in his office in Santa Cruz, longtime O’Neill veteran and current Marketing Director Mark Tinkess talks about the company’s wetsuit development process.

“Things start with developing the designs here in Santa Cruz,” he says. “We have focus groups, then work on sourcing, go to Japan and check out new fabrics, see what’s available from China, then come back to put something together. Then we go down the coast and let shops try the samples — like we did with the Zen tour — to gather more info. Finally, we hand off the designs in November to the production and sales guys.”

In summary, he explains what makes O’Neill so strong in its business: “We control the process from beginning to end and all we think about is wetsuits. And the suits fit insane.”

**** Sew Much At Work ****

Indeed, O’Neill does control the manufacturing process from beginning to end. It owns its own wetsuit factory in San Francisco and has been in the same location since 1991.

Located on the southeast side of the city, approximately 100 people work in the nondescript building producing approximately 35 percent of the company’s total wetsuit output. Another 35 percent comes from a factory in Ensenada, Mexico (where more than 200 people work), and the remainder comes from facilities in Taiwan and Hong Kong.

Operations, planning, sales, and forecasting take place in the San Francisco operation, but the several designers who come up with the initial ideas work out of the Santa Cruz office.

As expected, the facility was busy finishing the fall products and the warehouse was packed with product ready to ship to retailers when we visited.

According to Cherry Chu, O’Neill’s vice president of manufacturing and operations and our tour guide, the company develops 185 different styles per season, including fullsuits, short johns, spring suits, and jackets. There are also wetsuit designs for diving, waterskiing, wakeboarding, triathlons, some private-label business, and even Coast Guard-approved lifevests.

Although the garment industry has a reputation of being old fashioned, the O’Neill factory uses the latest technology as much as possible to make the production process more efficient.

After a pattern is created by the designers, it’s digitized and scanned into a computer. This helps O’Neill designers store and save all the designs they’ve come up with over the years. It also helps them take a specific style and then develop exact dimensions for the range of sizes.

After these sizes are made and samples sewn, fit is approved. Walking through the design department, there are racks full of different suits spanning decades worth of ideas — many sporting the neon colors the surf industry would rather forget.

Patterns are laid out across tables, and computers occupy desk tops. The mix of technology and hand-made processes is intriguing — if not contradictory at times.

After designs are approved, the patterns are taken downstairs to the cutting room. Neoprene is brought in from Taiwan and Japan and is cut according to the plans. But first, a computer figures out how to maximize the total fabric utilization. This computer shows the different designs laid out on the fabric and calculates usage percentages. Once the material is maximized, neoprene is cut out several sheets at a time.

These components are bundled together and taken back upstairs where the different pieces are sewn together. Rows of sewing machines line one floor, and the entire operation looks very similar to a traditional clothing factory. For graphic details, there’s even an in-house screen printing area that stays busy. Workers are paid on a piece-rate basis.

After the suits are sewn together, the work is checked for quality, they’re then trimmed, and hang tags are added. In fact, all the suits manufactured at the Mexican and overseas factories come through the San Francisco plant to get quality checked and have the hang tags added.

At this point, products are moved into the massive warehouse in back, where racks full of suits fill the room. Getting around the area is like negotiating a maze. You could literally get lost between all the suits.

The San Francisco facility is mostly a sew and glue operation. The company utilizes different factories to make other constructions. For instance, all the wetsuit hoods come from Mexico, while the vulcanized surf booties come from Thailand. Interestingly, the Mexican factory makes many of the same models as the U.S. facility does, but all O’Neill suits are labeled in the same place — inside the sleeve — with size and location of production.

**** Once Suits Are Produced ****

Production isn’t the only place where O’Neill is thinking globally. The company has recently refocused its strategic planning and launched a global marketing campaign, utilizing one brand logo, story, and a strong, centralized world team that includes the likes of Shane Beschen, Adam Replogal, Cory Lopez, Rat Boy, Pat O’Connell, Rochelle Ballard, Chris Gallager, and Wingnut. To support this move, it’s advertising heavily in surf, dive, wakeboard, bodyboard, snowboard, and windsurfing publications.

In the surf industry, O’Neill has divided its campaign and is running wetsuit ads in Surfing magazine, while focusing on apparel in Surfer. Although one series of ads is promoting rubber while the other is highlighting sportswear, the design of the ads is consistent. “Nobody even notices they’re for different products,” says Tinkess.

The apparel doesn’t actually come from the Santa Cruz office, although the image and presentation has to be okayed by headquarters. O’Neill licenses out its sportswear to the Irvine, California-based La Jolla, Inc., a company that’s run by former Op and Quiksilver executives John Warner and Jim Moran.

And the sportswear division is definitely on a roll. According to Sportswear Marketing Director Joey Santly, its sales went from nine- to 34-million dollars this year, with the juniors business growing at 800 percent.

“We do about 30 percent of our business with Pac Sun, and our juniors’ line is one of the best-selling in those stores this summer,” says Santly.

To further build the O’Neill image, the company will be premiering a team video at the fall trade shows and will ship it to shops around November 1. And to continue building on the global brand presence, the company is also hoping to sponsor an Association of Surfing Professionals World Championship Tour event in the coming year. And the O’Neill Cold Water Classic in Santa Cruz is locked into a three-year deal for the ASP World Qualifying Series, so that representation will continue.

“The company is thriving right now, and we have an opportunity to be strong, so we’re taking action,” says Tinkess. “When you break it down, we’re making good product, delivering it on-time, have good reps, a professional customer-service department, and we stand by our products.”

He says it almost so matter-of-factly that it makes total sense. But if it was so easy, other companies in the surf industry would be doing it as well. Yet it’s for these reasons that O’Neill is dominating the wetsuit industry and will continue to for years to come.

biz_editor

The View From SIMA: When was the last time you felt like a grommet?

The View From SIMA logo

When was the last time you felt like a grommet?

I recently had the opportunity to attend the rematch of the 1964 World Surfing Championships held in Noosa, Australia.

The original event was the first acknowledged World Championships–staged in Manly, Sydney–where the highly touted Americans lead by Californians L.J. Richards, Mike Doyle (the reigning West Coast champion), and Hawai’ian Joey Cabell came down under to challenge the Midget Farrelly-led Aussies.

It was the first event outside of the annual Makaha Championships in Hawai’i that assembled an international cast of competitors and truly signaled the arrival of surfing as an international competitive sport.

Thirty years later on the beach at Noosa, all the original men’s finalists–with the exception of the late Bobby Brown–were still in great surfing shape. Each of them were at least in their fifties–Cabell is in his sixties. It was a great emotional moment for all of us lucky enough to be in attendance.

Here I was on the beach, feeling like a stoked grommet at 45, remembering back to ‘64 when I followed this event daily in the newspaper (even cutting out the articles and sticking them in a scrapbook). It made me feel young again.

Today, when I attend a WCT event like the Op Pro I feel like a grandpa in awe of the talents of the Kelly Slaters, Shane Dorians, and Shane Beschens who lead modern surfing. It makes me realize how important events like this rematch are to our surf culture. It’s like a gathering of the tribes, and it’s important for us to acknowledge these pioneers who first captured the thrills of riding waves–all the way back to the Polynesians and the acknowledged father of the sport, Duke Kahanamoku.

In America, we have numerous surfing museums, the Surfing Walk of Fame, and events like the UCSD Cancer Center Lu’au that acknowledge the contributions of many individuals who make it possible for us to enjoy the rewards our industry provides today.

We should never forget that feeling of being a grommet. At its heart, being a grommet perfectly captures the spirit of surfing culture.

As I said to Midget after the rematch, “Geez, if they ever have a rematch for the ‘76 IPS year, I hope I surf that good.”

Actually, I think that he, Cabell, Doyle, L.J., and Mick Dooley surfed better now, 30 years later, because the boards are that much better.

Being there rejuvenated my enthusiasm for surfing every day. I feel like a grommet again!

Peter Townend

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President

Surf Industry Manufacturers Association

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