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Quiksilver Goes Direct Online

With the launch of Roxy’s new Web site, customers can now purchase the company’s products direct fromt he manufacturer online.

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josh hunter

Look Outside The Box

barak_wiser.jpg Retail guru Barak Wiser is the reason that all of the hot shit on the market is in stock at the Skatepark Of Tampa. He’s also helped SPoT become one of the most respected shops around, but you’ll never hear him claim it. His opinion, however, stretches far and wide, probably affecting what you buy or sell, whether you know it or not. TransWorld Business sat down with Wiser and discussed the importance of online presence, trend-spotting, and risk-taking. Take notes.

TW Business: Were you formally trained in retail?

Wiser: I actually went straight from the restaurant business and being a chef to the skateboarding business without any experience in retail. I’ve always been interested in fashion and I’ve been skating forever, so it seemed like a good move.

Originally I came in to just tighten up the retail end. As time went on I realized the potential we had in the shop.

It’s just really funny because we’ve come a long way. In the beginning we had World Market, our shop that was located about ten to fifteen miles away. We kept that place stocked, unlike the park shop. When working the shop, I kept sending customers to our other shop, and it felt wrong. Who knows if they were going to make it there? Why not have all the great product here at the park where everyone is already coming to skate? We decided it would be better to have the shop absorbed into the park and to make it more of a focus. I was really starting to see the potential for growth and moving towards online retail.

Did you have a clear direction for what you would improve when you came on board?

At first it was a struggle to have the money just to have enough stock, so there was no total vision. We just started reinvesting profits into more inventory and better selection. I just knew we could do better than we were. This eventually gave rise to me going to {Owners} Brian {Schaefer} and Ryan {Clements} and saying, ‘Give me some more money, I can build this shop up—just trust me and I’ll make it work’ {laughs}. This was right before that period where skate shops were starting to take off. We began our changes when it was still a struggling time. Everything we did came out of necessity and eventually finding a focus, and then trying to make an impact on our customers and the skating community.

Has the online business contributed greatly to the overall health of the shop?

It’s helped us tremendously, and having a great Web presence is a key aspect for us. It’s great to have someone like Rob {Meronek} on staff to make that things happen. We’re very fortunate; Rob’s a genius and one of the most valuable members of our staff.

I’m always surprised at the number of shops that don’t really get involved with the Web. Do you think a strong Web presence is important for a smaller shop?

If they plan on growing and reaching out to their community, it’s a necessary business tool. Rob keeps our Web site full of content, and I keep it full of merchandise. We try to make sure visitors can have an experience at the site.

Some shops are afraid to be forward thinking in both fashion and deck buying for their shops. How important is it for a shop to set trends and not just follow them?

I think it’s important to pay attention and be aware of trends as early on as possible. Sometimes you get the gut feeling something is going to be big and you go for it. I sometimes try to think like a thirteen or fifteen year old or the frame of mind I had when I was kid growing up skating. I remember what it was like when I saw something new and different and how other kids reacted to it, whether it was the Hammerhead or the Slime Balls T-shirt, all those hot items that kids had to have. That really helps me spot trends early on. For the most part, you’ve got to keep your ear to the streets.

From a buying aspect, do you feel SPoT’s popularity makes it easier for you to set the trends and the tone in your community?

From a buying perspective, for anyone who wants to stay current, it’s important to take some risks and not just play it safe all the time. I try my best to know the market and bring the customer things they may have potential interest in but not realize it until it’s presented to them. That’s one of your main roles as a buyer—to bring in the right products that allow your customers to define who they are.

On a promotional level, what do you do to stay in touch with the kids? How important is that in running a proper shop?

I think it’s a key element. Just like every other shop we try to hire the right guys for the front lines. We appreciate and rely on all the feedback they give us. We also host a ton of events every year like demos, video premieres, free skate days, and all-ages contests. It’s all very important to give back and support the scene and the skaters. When you’re out there with the kids, skating, or hanging out, you can’t help but stay in touch. I also read every type of fashion magazine and regular magazine that could potentially influence skateboarding, or could be influenced by skateboarding. You can never have too much information.

We spoke a few years ago about clothing brands and hot styles that hadn’t graduated to skate ’til now.

Exactly, it’s just good to follow other markets as well, even if it’s only a little bit. There are several of the big-name pros that have money. They’ll go out and buy some of the more expensive, high-fashion, non-skate brands they are into, bring it back to their clothing companies, and ask for them to recreate it in some way. That all trickles back down into skate and can potentially become skate fashion.

I know you preview a lot of lines and get a chance to give your input. How often does that occur, and when it does are you thinking about only your shop or the skate community in general?

Well, at least a few times a year I preview most of the major lines before production begins, so there’s a chance my input can potentially make some changes. It’s nice being in that position and I do try to think about not only my shop and what we can sell, but what can work well for other smaller shops. I try to give not just my feedback for my position, but for skate retailers as a whole. If I can influence things that will make it better for us and the skaters in the long run, I’ll do it.

Earlier you mentioned that all shops should maintain Retail 101. Even though this is skateboarding, it’s still important to remind everyone to be selling and assisting the customer. How important is that to a successful shop?

Well, it’s super important to have a staff that delivers great customer service. They also need to actually know the products. There are a lot of different constructions, new technologies, both in hard- and softgoods these days. You don’t want to have people behind the counter who can’t answer questions about what’s new.

The properly trained staff aspect is just as important as any other aspect of your business. If you don’t handle your retail the way it really should be—having the right products, merchandising them properly, and being aware of all the new items—you aren’t really doing the best for your customer. Making sure customers are informed about sales and pricing specials all affect the overall shopping experience for the customer and the way your bottom line looks in the end.

Did you anticipate the last few years of major growth just from observing trends?

No, it wasn’t foreseen. Skateboarding in general always goes through cycles and usually the business does die off somewhere, but we still continue to see growth. I do feel the major climb has peaked, but we are still continuing to grow, only now it occurs at a steadier rate.

So do you plan to be around for the long haul?

Exactly. This is what we do, regardless of the particular climate in skateboarding and who’s in and who’s out. We try to do the best we can at every aspect of the business. We want you to have fun at the contest, and we want you to have a great time online and in our stores. That’s our focus.

josh hunter

Mick Fanning’s Sponsors Celebrate His World Championship

On November 6 Australia’s Mick Fanning claimed his first world championship title; giving his fellow aussies and sponsors plenty to celebrate—and celebrate they did! We here at Transworld Business Magazine set out to get some party pictures that you won’t see popping up all over the place. We thought it’d be interesting to gather a gallery of shots that really capture the effect of the world championship win around the offices of Fanning’s proud sponsors. While some of these images are sure to be emblazoned all over the Web, others you won’t find anywhere else. Enjoy.

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josh hunter

Caught On Tape: O’Neill Talks About Signing Jordy Smith

Outside O’Neill Office

If you don’t know who Jordy Smith is, you’d better ask somebody. At nineteen he’s a two-time junior world champion, and in his rookie year so far, he has shattered the ASP’s World Qualifying Series (WQS) all-time points record, scoring more than 14,000 points with several events left in the series. The only thing getting more hype than his upcoming debut on the World Championship Tour (WCT) next year has been the coverage of his contractual dispute with former sponsor Billabong and the speculation over whom he would sign with next.
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josh hunter

La Jolla Group Enters Licensing Agreement With R Dot

On August 10, 2007 La Jolla Group—the licensee of O’Neill, Lost, and Metal Mulisha apparel and accessories in the U.S.—announced that it’s entering into a licensing agreement with R…And Everything Else, Inc. (Rdot), the parent company of Rusty Surfboards and apparel, and will be adding Rusty apparel and accessories to its existing stable of brands.

The announcement comes just over a year after Rusty’s founder, Rusty Preisendorfer, sold the controlling interest in his namesake company—including the rights to the Rusty trademarks—to the brand’s Australian licensee, Vegas Enterprises, for an undisclosed sum.

When the sale finalized, C&C Companies, who alleges to hold the master license for Rusty apparel and accessories in the U.S. and other foreign markets, began reporting to Rdot/ Vegas Enterprises—a firm they originally hired.

In mid May, ten months after gaining controlling interest of the company, Rdot/ Vegas Enterprises sent out a press release alleging to have cancelled the licensing agreement with C&C Companies. In the release Geoff Backshall, President of Rdot says, “While C&C had helped bring Rusty to its current level, Rdot is now looking forward to taking the brand to new heights.”

The release also says that C&C would cease association with the brand and ship any remaining inventory by July 26, 2007.

C&C Companies responded with its own press release stating that it would be defending its licensing agreement in court. The release included this statement:

“Prior to their assumption of control over Rdot, Vegas sought to purchase C&C’s Rusty business interests, but C&C was unwilling to sell. Failing to purchase C&C’s Rusty business, we believe Vegas concocted a plan to acquire a controlling interest in Rdot in order to get rid of C&C by terminating C&C’s license on whatever grounds Vegas could fabricate.”

C&C Companies then sought an injunction against Rdot, and, after winning a temporary restraining order, the injunction was denied in court. “This by no means signifies that C&C has lost its case or that the dispute is over,” says Greg Weisman, C&C’s attorney and chair of Los Angeles-based firm Silver & Freedman’s Apparel Practices Group, “In fact, the injunction loss has zero effect on the ultimate adjudication of this case.

…Lost President Tim Garrett with Attorney Greg Weisman.

The allegations made in the lawsuit that the alleged termination by Rdot was wrongful continue. At this time there is no trial date set, but if I had to guess I’d say it would be sometime in mid-to-late 2008. C&C will get its day in court.”

in light of the suit Rdot has decided to enter into a licensing agreement with La Jolla Group and says it’s not worried about the pending court date. “There’s litigation outstanding on some issues to do with them backing out of the brand,” says Backshall. “They’re trying to make something out of what happened with the termination of the license, but we don’t see that they have any basis for going down that path. So good luck to them.”

This is no surprise to Weisman. “Rdot believes the agreement is validly terminated, and is acting as if it has,” he says. “C&C believes it was not validly terminated, but can’t continue with the license in the face of what Rdot is doing.”

Weisman elected not to comment about the agreement between Rdot and La Jolla Group. “I cannot comment on the news of an alleged grant of license to La Jolla Group as they are a client of mine as well,” he says.

Toby Bost, CEO of La Jolla Group’s brands didn’t comment on the litigation, but did offer information about La Jolla Group’s partnership with Rdot. “This situation came down to opportunity. It was too good of a deal to pass up,” Bost says. “Rusty is a legitimate player in Australia. They’re among the top four surf brands in the apparel sector, and have a solid infrastructure to support the operation. As a result, they have a lot to offer in order to re-launch the brand in North America. We’re going to partner with them to turn Rusty into a strong global brand.”

Bost believes that through joint marketing, advertising, and product campaigns Rusty will be able to cultivate a global consumer. “Partnering on key marketing expenses and budgets provides the opportunity to sign top team riders, produce global events, share research, and become more creative in reaching the masses,” he explains.

According to Backshall there were several offers on the table, but La Jolla Group was his first choice. “We wanted a licensee that had a great track record in this industry, and in particular someone that had some experience in reinvigorating a surf brand,” Backshall explains. “Look at where O’Neill’s apparel business was twelve years ago, it was languishing in the marketplace, it wasn’t going anywhere. What they’ve done to take that business from where it was to where it is, in our eyes, it’s an amazing result.”

A global design team will be working together to develop product according to Backshell. “Those guys {La Jolla Group} will have a design team there that’ll work with our designers here, as well as, some of the things that are being done by our other international licensees,” he adds. “The bulk of the sales and marketing team are still there, so they just move under the La Jolla umbrella, and La Jolla will add to that team as well.”

Charlie Setzler (below) has been promoted from his position as VP of sales at O’neill to President of Rusty.

When asked if there is a risk for La Jolla Group to be entering into the agreement, Backshall reiterates that he believes the licensing agreement with C&C has been validly terminated, adding this caveat: “They {La Jolla Group} have something written into the licensing agreement that protects them against any potential litigation that goes the wrong way,” he says. “That’s pretty standard.”

C&C Principals Dac Clark and Paul Carr see things differently. “We disagree that they in fact have validly terminated the license,” he responds. “We’re disputing their justification for termination and we’ve gone to the courts to get a resolution on that. At the same time, we have no interest in doing anything to hurt the brand or to hurt the future of the brand, so we have been cooperative with the new ownership, but by no means are we giving up our position. We hope that we get back our interest in the brand or are compensated for the wrongs we have alleged.”

josh hunter

Tearing Down The Walls

Pete Fox, Greg Fox and John Fox

It’s 1982, Helsinki’s Vantaa International Airport. A crowded flight from LAX has just liberated its passengers from the confines of the protracted trans-Atlantic passage, and a Finnish customs officer is taking a second glance up from behind the glass of his podium. Puzzled, he goes back to the documents in front of him. Kuinka vanha sinå olet?” he queries the passenger in front of him curiously. “How old are you?”

“Fifteen,” replies the young man.

“Who are you traveling with?” asks the officer.

“I’m alone,” responds the shy youngster.

Half-joking, the officer continues without concealing his smirk, “Is this trip for business or pleasure?”

“Business,” answers Pete Fox.tb0707_ft1_09_900.jpg

At fifteen, Pete Fox didn’t have a paper route. While most of his peers were busing tables or bagging groceries, he was busy flying to Finland to develop motocross pants, designing ad campaigns, and negotiating athlete contracts for his family’s business, Fox Racing. In fact, a few weeks after his trip to Finland, Pete signed a deal with a promising eighteen-year-old motocross rider named Ricky Johnson. Two years later Johnson won his first of seven American Motorcyclist Association (AMA) Supercross Championships. In 1999, Johnson was inducted into the Motocross Hall Of Fame.

You could say Pete was mature for his age.

Flash-forward 25 years to the present and Pete Fox is the creative director at his family’s business. He works alongside his brothers Greg and John, and sister Anna, but the business is much different than it was when he was growing up.

The off-road motorcycle parts catalog their father, Geoff Fox, launched in ’73 evolved quickly. In February 1974, he opened a mail-order company called Moto-X Fox, and within a few years sponsored a strong team of riders. Outfitting the Moto-X Fox team in brightly colored yellow, orange, and red outfits created consumer demand for the apparel and from there the business took off. “That {original mail-order business} was just the spark that got us into apparel,” explains Pete.

Since then the brand has grown from a simple mail-order business with less than a dozen employees into what it says is one of the top five privately held action-sports brands in existence. Fox now employs more than 600 people worldwide. The company’s 115,000-square-foot headquarters in Morgan Hill, California is a motocross monument in itself, complete with memorabilia stretching back more than 30 years. Fox also operates a 100,000-square-foot distribution center in nearby Gilroy, California; has a flagship retail store in a neighboring Santa Clara shopping mall; and runs three outlet stores. In order to bridge the physical gap between its NorCal offices and the heart of the action-sports industry, Fox also occupies two offices in Newport Beach, California, and is quickly outgrowing them. Internationally, the brand has offices in Hong Kong and Europe. According to TransWorld Motocross magazine’s 2006 readers’ poll, Fox is the best-selling brand of motocross pants, jerseys, gloves, and helmets.

It’s big, get the picture?

Branching Out

While racewear still makes up the bulk of the brand’s sales, another segment of the business has been gaining momentum for nearly a decade. In 1997 Fox launched a sportswear program to supplement the motocross division hoping to distribute the line in traditionally surf-driven retail channels. “The line—small enough that both men’s and juniors’ could both fit in one garment bag—consisted of ten T-shirts, eight Flexfit hats, a few mock-jerseys, and some basic polos,” remembers National Sales Manager James “Jimmy O” Onstott, who at the time had just started repping the line in Orange County, California.

Onstott refers to his early memories of rolling into Southern California surf shops with Fox apparel as character builders. “We had been making performance apparel for 25 years, but we were new to lifestyle clothing,” he remembers. “There was a steep learning curve during the early years. Pioneering the line was the biggest challenge of my life.”

But even early on, Onstott was able to leverage his strong retail relationships to get the wholesale sportswear business off the ground. “In SoCal there were guys who already knew what Fox was all about,” explains Onstott. “Guys like Milo Meyers at Hangar 94, Steve Wright at The Outhouse in San Diego, and Mark Bayerle at Beyond Image in Texas and Arizona were all into motocross as a lifestyle and dug what it was all about. Even though all they carried was surf, skate, and snow brands, they were going to Supercross events and riding their bikes on the weekends.”

The majority of the opposition comes from surf retailers who aren’t familiar with motocross and don’t see the category as relevant to their customers. Fox looks at the action-sports industry as a collective movement, not incongruent sports. “We feel like the lines in action sports are blurring,” says Pete Fox. “It wasn’t a plan of ours to ever branch out, but the walls started getting knocked down between sports. We were already involved in all of them, and we realized that one customer had all these different hobbies and passions. We just branched out naturally.” It would appear that some retailers are beginning to see the industry in a similar light. In 2006 Fox opened 125 ’core accounts and expects 100 more to open in ’07. So how did a motocross brand gain interest in the surf industry?

Surf Births Sportswear

Even in the earliest sportswear lines, Pete Fox says his initial design cues came from living and surfing in San Diego in the early 90s. “Somehow I talked my dad into letting me move down to San Diego, go to an advertising school, and work out of my apartment,” remembers Fox. “In San Diego during the early 90s I was seeing surf culture firsthand. There were a lot of things happening with the surf industry and brands that really inspired me. It was right when Volcom first started taking off. Seeing that whole entrepreneurial, California-youth lifestyle and energy, I got super inspired.”

Pete says the two years he spent in San Diego ended up playing a major role in Fox’s current identity. “Just having that love of surfing and being around it made a big difference to the brand,” he says. “That’s when I started thinking about trying to make lifestyle clothing; back then all the surf guys were making crazy stuff, but nobody in moto was thinking about that young, cool lifestyle. You’d go to Supercross events and none of the fans were wearing moto brands. All the kids had on Quiksilver and Billabong because those guys were making that type of product in a big way.”

Youth Gone Wild

It was around the same time in the early 90s that Geoff Fox began to back away from the business and hand over more of the responsibility to his children. He kept a close eye on the company’s books, but handed over a lot of sales responsibilities to his oldest son, Greg. Greg had just returned from a two-year stint at UC Santa Barbara, where he admits to doing more surfing than studying. “My dorm room was right there on Campus Point, and that was where I was every day,” Greg says. “So eventually my schoolwork just went down the toilet, and I came back to the business. I naturally progressed into the sales side of the business. I was purchasing the products, dealing with vendors, and managing inventory and international sales.”

With Greg handling his new role and Pete steering the brand’s creative direction, Fox had a much younger perspective on the market than any of its competition. The influence surfing had on the brothers started to appear in several segments of the business, including product design, and as a result, Fox began reaching a younger demographic than had ever been targeted by a motocross brand.

“One of the first things that was affected was our advertising direction,” says Greg. “We went away from product-oriented ads to two page spreads of some bitchin’ jump on some bitchin’ track.”

At the time, motocross brands were run by middle-aged Midwesterners. No one in the industry saw what was coming. When Fox visited its first motocross trade show, it didn’t exactly fit in. “The theme for the booth was “Youth Gone Wild”—a Skid Row song!” recalls Pete. “We had the booth wrapped in barbed wire with neon color everywhere, and zebra prints. People would walk by completely freaked out.”

Greg says he and his brothers had walked the aisles of ASR shows in Long Beach, California, and that the shows made an impression. Coincidentally, ASR recently announced the creation of a moto section on the show floor for its September 2007 show. The Fox brothers say it’s something that substantiates their ideology that action sports are beginning to operate as a unified front.

Brand Ambassador

The youngest brother in any family plays an important role, and John “Scrap” Fox is no exception. To say he’s played an integral part in the development of the business would be an understatement.

While studying in Hawai‘i, John stumbled on to something while watching a local TV show that would inevitably change the direction of his family’s business. “I was watching H3O one night in my dorm and they had Sunny Garcia on the show riding moto,” remembers John. “So I decided we needed to get a hold of this guy and send him some gear. I remember going over to his house and being so nervous. Here I am, this little haole kid, there are all kinds of locals hanging on his porch, and I knock on the door and his cousin answers and is like, ‘Sup, brah?’ But we met and went surfing and went riding up on Kahuku Motocross Track a couple of days later. It was a rad experience. Kalani {Robb} was up there riding with Brock Little, and those guys were super psyched on Fox.”

Realizing the crossover appeal, John convinced his brothers to send the motocross team over to Hawai‘i for vacation at the end of the MX season. “We thought it’d be rad to take our whole motocross team to Hawai‘i to ride and surf,” explains John. “For Sunny {Garcia}, bringing {Jeremy} McGrath to Hawai‘i was like a dream. Sunny had everything dialed for us, from surfboards to ride to dinner reservations. It went so well that we ended up doing that for a few years. That created this bond with those surfers. They still talk about it on the North Shore when all the pros showed up and rode Kahuku.”

When Kalani Robb unexpectedly ended up on the cover of Surfer Magazine in 1999 wearing a Fox T-shirt, it seemed like the right time for Fox to start sponsoring surfers. “Kalani was sponsorless basically, and when he got the cover wearing a Fox tee, it wasn’t planned or anything,” says John. “Afterwards he called up and said, ‘Why don’t you guys sponsor me?’ So it was very organic, it wasn’t like this strategic plan.” Robb still rides for Fox, and for the past eight years has been the brand’s ambassador to the surf market.

Room To Grow

Around the same time Kalani Robb signed with Fox, the sportswear program started coming together and Onstott was able to secure larger accounts. “Iconic stores like Zumiez, Ron Jon, and Pac Sun came on board around 1999,” says Onstott, “and for the first time the line sat next to all the established clothing brands nationwide.”

With the influx of larger accounts came more resources. Fox opened offices in Newport Beach and made two key hires. Jim Anfuso was brought on as marketing director, and Chris Drummy was named surf promotions manager. Over the last three years the Southern California design offices have grown from twelve employees to 100.

Taking lessons learned while at Burton, Anfuso says one of his top priorities was to increase support to existing Fox clothing retail partners. “We do the full fixture program, we do events with shops, and we do events with our team,” says Anfuso. “We’re one of the brands supporting retailers and partnering with them, not just sending them a box of clothes.”

Anfuso says because the company is privately held and there are no plans of going public, the growth of the surf program has never been forced. “It started with Kalani {Robb}, but there’s never been a deadline, or a gun to our heads to be this or that by a certain date,” he explains. “The fact is that we’ve committed to it; the marketing, the surf team manager, and the sales have all come together as a united front. We’re visiting shops together, which is a pretty unique thing.”

Surf Promotions Manager Chris Drummy says he’s taken a grassroots approach, building the surf team regionally. He believes signing key athletes and keeping the team tight is important. “We currently only have about 25 surfers on the team in the U.S.,” explains Drummy. “Most other major brands have a couple hundred ?surfers. With fewer surfers I can put more effort ?into the athletes we have and help them become more ?successful. Now that everything is firing on all cylinders in the U.S., I’m working with all our distributors worldwide on our global surf program.”

The Product Evolution

The product has evolved along with the team of designers and athletes. What began as a simple range has been developed into an elaborate offering. “We were primarily hats, tees, and fleece for the first three to four years,” says Onstott. “But our cut-and-sew business began to really take off two years ago.”

Retailers have noticed, and some say the brand’s background in technical riding apparel can be seen in several categories of its sportswear business. “We brought them in about a year and a half ago,” says Killer Dana Owner Steve “Lounge” Price. “They have good trunks, so as we expand our boardshort superstore we want to carry key styles from every possible vendor that makes good trunks. We have their top trunks and tees in all of our locations because they make solid stuff.”

Central Coast Surf Owner Steve Carlson stopped carrying Fox a few years ago when he felt his store lost some of the moto crowd, but he had his buyers stop by the Fox booth during ASR Holiday, and they wrote an order. “I’ve always felt that they make good quality product and have a faithful customer base,” says Carlson.

Fox’s Director Of Sales Kurt Schleicher says the sportswear business has tripled in the past three years. Aside from full lifestyle apparel lines for men, juniors, and kids, Fox also produces snow outerwear, footwear, and launched an eyewear line through a licensing agreement with Oakley. “Our partnership with Oakley started three years ago,” says Pete Fox. “I work with their team to create eyewear that follows Fox’s style language. The benefit to Fox is obvious—with Oakley’s innovation and patented technology, Fox Eyewear has the world’s best quality and optics.”

Direct Approach

Since the company began as a mail-order business, direct online sales have always been part of the company’s operations. Greg Fox says it’s a small part of the business, but an important one.

“One of the big advantages for us with it is that there are a lot of things we make that retailers might not stock,” he says. “Whether it be really expensive things or more edgy stuff that we know our customer wants but buyers tend to go safe. It enables our customers to get that stuff,” he explains. “We’ve been doing it for 30 years, so we don’t get the kind of heat that someone new would get for doing it.”

For Pete Fox it goes beyond that. He feels like direct online business gives the brand more control over what it manufactures. “I’ve always loved the fact that we’re able to go directly to our customers,” says Pete. “Rather than being shut down by buyers for whatever reason, if we believe in it, we’ll go straight to the customer and let them vote.”

Fox insists that the online business isn’t a threat to retail accounts, however. “We don’t do heavy promotions or shove it in their faces,” adds Anfuso. “It’s just quietly doing a great business. When we first started doing denim we didn’t have a huge denim business at the wholesale level, but catalog business is where you’d go to get Fox denim. That allowed us to keep investing and keep making better product, more SKUs, and more fashionable designs. Now that’s trickling out at the wholesale level.”

Walls Still Standing

The biggest obstacle for Fox is still gaining representation in shops that consider themselves purely surf, skate, and snow. Even with the progress the brand has made in the wholesale sportswear segment, there’s still opposition. But Fox is aiming to break down those walls as well.

“There’s no hard feelings,” says Anfuso of retailers who won’t bring the brand in. “The business is there waiting for them. We couldn’t be happier with the progress at this point. That’s really the bottom line. It’s happening, and we make sure to treat the guys who do bring us in right.”

josh hunter

Surf Expo Swimwear Fashion Show Presented By Ed Hardy

SPECIAL PHOTO GALLERY

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Here’s a collection of beautiful women in bikinis. Need I say more?

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Who knows? I took this photo and I still have no idea what’s going on here…but I like it!

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Here she comes.

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Sorry it’s blurry…I was suffering from a sudden loss of blood in my head.

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This was a tough shoot, halfway through the show they had to pass out smelling salts and water bottles to several of the photographers on hand.

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I’ve got nothing. Post your captions in the comments area below, and the funniest one will win a free subscription to Transworld Business.

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Some things just go together. Ice cream and apple pie, spaghetti and meatballs, and, err bikinis and white leather boots.

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She’s taking it WAY too seriously. I haven’t seen a concentration face like that since four days after my hound dog Virgil ate an entire wheel of cheese!

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By the way, I’d like to thank the other photographers at the end of the runway (who were all carrying very large, expensive camera equipment) for providing their flashes. I was shooting with a tiny point-and-shoot and some of these actually came out pretty good I think.

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Peace.

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Hats off.

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Damn it, I ran out of cliché caption ideas.

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This one came out a little bit hot (or, over exposed for the layman). It’s not my fault though. It’s one of the “amateurs” next to me shooting with a $5,000 camera and flash set up!

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I really liked the lines of this one…the swimsuit.

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I really enjoyed the show, but the DJ blew it during the finale. I mean how could you play anything other than The Bangles’ Walk Like An Egyptian?

josh hunter

Playoffs Party At Hooters

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Buffalo wings, beer bongs, and football—the perfect ingredients for a raging NFL playoffs party. Throw in a couple-a-hundred surf industry bros and you’ve got your self a riot waiting to happen. That’s what the scene was like in Orlando as the New England Patriots squared off against the Jacksonville Jaguars at the neighborhood Hooters. They say a picture says a thousand words. Well, here are five photos. They don’t even come close to telling the full story, but you’ll get the idea.

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The funnel says it all. Well not really…what you can’t see is that the shirt says “Property Of The Chemistry Drinking Team” and in magic marker just above that someone added “Meat Face”.

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Chemistry Surfboards’ Jason Bennett takes one for the team.

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WCT qualifier Ben Bourgeois with Jeff Myers and Josh Hunter sometime after Ben bought Hooters T-shirts for everyone in the bar. Thanks Benny!

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After the game Gunner Down took tha stage and did what they do best. If you’ve never seen them play you owe it to yourself! Just don’t book your flight home for a few hours after the show. Trust me.

josh hunter

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